Monsieur Octave de Camps, he said, having wasted his means on a certain Madame Firmiani, was now reduced to teaching mathematics for a living, while awaiting his uncle's death, not daring to let him know of his dissipations. This distant cousin, a sort of Charles Moor, was not ashamed to give this fatal news to the old gentleman as he sat by his fire, digesting a profuse provincial dinner.
[*] The "Bande Noire" was a mysterious association of speculators, whose object was to buy in landed estates, cut them up, and sell them off in small parcels to the peasantry, or others.
But heirs cannot always rid themselves of uncles as easily as they would like to. Thanks to his obstinacy, this particular uncle refused to believe the story, and came out victorious from the attack of indigestion produced by his nephew's biography. Some shocks affect the heart, others the head; but in this case the cousin's blow fell on the digestive organs and did little harm, for the old man's stomach was sound. Like a true disciple of Saint Thomas, Monsieur de Bourbonne came to Paris, unknown to Octave, resolved to make full inquiries as to his nephew's insolvency. Having many acquaintances in the faubourg Saint-Germain, among the Listomeres, the Lenoncourts, and the Vandenesses, he heard so much gossip, so many facts and falsities, about Madame Firmiani that he resolved to be presented to her under the name of de Rouxellay, that of his estate in Touraine. The astute old gentleman was careful to choose an evening when he knew that Octave would be engaged in finishing a piece of work which was to pay him well,--for this so-called lover of Madame Firmiani still went to her house; a circumstance that seemed difficult to explain. As to Octave's ruin, that, unfortunately, was no fable, as Monsieur de Bourbonne had at once discovered.
Monsieur de Rouxellay was not at all like the provincial uncle at the Gymnase. Formerly in the King's guard, a man of the world and a favorite among women, he knew how to present himself in society with the courteous manners of the olden time; he could make graceful speeches and understand the whole Charter, or most of it. Though he loved the Bourbons with noble frankness, believed in God as a gentleman should, and read nothing but the "Quotidienne," he was not as ridiculous as the liberals of his department would fain have had him. He could hold his own in the court circle, provided no one talked to him of "Moses in Egypt," nor of the drama, or romanticism, or local color, nor of railways. He himself had never got beyond Monsieur de Voltaire, Monsieur le Comte de Buffon, Payronnet, and the Chevalier Gluck, the Queen's favorite musician.
"Madame," he said to the Marquise de Listomere, who was on his arm as they entered Madame Firmiani's salons, "if this woman is my nephew's mistress, I pity him. How can she live in the midst of this luxury, and know that he is in a garret? Hasn't she any soul? Octave is a fool to have given up such an estate as Villaines for a--"
Monsieur de Bourbonne belonged to the species Fossil, and used the language of the days of yore.
"But suppose he had lost it at play?"
"Then, madame, he would at least have had the pleasure of gambling."
"And do you think he has had no pleasure here? See! look at Madame Firmiani."
The brightest memories of the old man faded at the sight of his nephew's so-called mistress. His anger died away at the gracious exclamation which came from his lips as he looked at her. By one of those fortunate accidents which happen only to pretty women, it was a moment when all her beauties shone with peculiar lustre, due perhaps to the wax-lights, to the charming simplicity of her dress, to the ineffable atmosphere of elegance that surrounded her. One must needs have studied the transitions of an evening in a Parisian salon to appreciate the imperceptible lights and shades which color a woman's face and vary it. There comes a moment when, content with her toilet, pleased with her own wit, delighted to be admired, and feeling herself the queen of a salon full of remarkable men who smile to her, the Parisian woman reaches a full consciousness of her grace and charm; her beauty is enhanced by the looks she gathers in,--a mute homage which she transfers with subtle glances to the man she loves. At moments like these a woman is invested with supernatural power and becomes a magician, a charmer, without herself knowing that she is one; involuntarily she inspires the love that fills her own bosom; her smiles and glances fascinate. If this condition, which comes from the soul, can give attraction even to a plain woman, with what radiance does it not invest a woman of natural elegance, distinguished bearing, fair, fresh, with sparkling eyes, and dressed in a taste that wrings approval from artists and her bitterest rivals.
Have you ever, for your happiness, met a woman whose harmonious voice gives to her speech the same charm that emanates from her manners? a woman who knows how to speak and to be silent, whose words are happily chosen, whose language is pure, and who concerns herself in your interests with delicacy? Her raillery is caressing, her criticism never wounds; she neither discourses nor argues, but she likes to lead a discussion and stop it at the right moment.