In the case is a cast of his head taken after death.'
It was strange and rather ghastly to see a plaster head in this room where the head of flesh had so often lain. Maude and Frank stood beside it, and gazed long and silently while the matron, half-bored and half-sympathetic, waited for them to move on. It was an aquiline face, very different from any picture which they had seen, sunken cheeks, an old man's toothless mouth, a hawk nose, a hollow eye--the gaunt timbers of what had once been a goodly house. There was repose, and something of surprise also, in the features--also a very subtle serenity and dignity.
'The distance from the ear to the forehead is said to be only equalled by Napoleon and by Gladstone. That's what they SAY,' said the matron, with Scotch caution.
'It's the face of a noble man when all is said and done,' said Frank. 'I believe that the true Thomas Carlyle without the dyspepsia, and the true Jane Welsh without the nerves, are knowing and loving each other in some further life.'
'It is sweet to think so,' cried Maude. 'Oh, I do hope that it is so! How dear death would be if we could only be certain of that!'
The matron smiled complacently in the superior wisdom of the Shorter Catechism. 'There is neither marriage nor giving in marriage,' said she, shaking her head. 'This is the spare bedroom, sir, where Mr. Emerson slept when he was here. And now if you will step this way I will show you the study.'
It was the singular room which Carlyle had constructed in the hopes that he could shut out all the noises of the universe, the crowing of cocks, and the jingling of a young lady's five-finger exercise in particular. It had cost him a hundred odd pounds, and had ended in being unendurably hot in summer, impossibly cold in winter, and so constructed acoustically that it reverberated every sound in the neighbourhood. For once even his wild and whirling words could hardly match the occasion--not all his kraft sprachen would be too much. For the rest it was at least a roomy and lofty apartment, with space for many books, and for an irritable man to wander to and fro. Prints there were of many historical notables, and slips of letters and of memoranda in a long glass case.
'That is one of his clay pipes,' said the matron. 'He had them all sent through to him from Glasgow. And that is the pen with which he wrote Frederick.'
It was a worn, stubby old quill, much the worse for its monstrous task. It at least of all quill pens might rest content with having done its work in the world. Some charred paper beside it caught Frank's eye.
'Oh look, Maude,' he cried. 'This is a little bit of the burned French Revolution.'
'Oh, I remember. He lent the only copy to a friend, and it was burned by mistake.'
'What a blow! What a frightful blow! And to think that his first comment to his wife was, "Well, Mill, poor fellow, is very much cut up about this." There is Carlyle at his best. And here is actually a shred of the old manuscript. How beautifully he wrote in those days!'
'Read this, sir,' said the matron.
It was part of a letter from Carlyle to his publisher about his ruined work. 'Do not pity me,' said he; 'forward me rather as a runner that is tripped but will not lie there, but run and run again.'
'See what positive misfortune can do for a man,' said Frank. 'It raised him to a hero. And yet he could not stand the test of a crowing cock. How infinitely complex is the human soul--how illimitably great and how pitiably small! Now, if ever I have a study of my own, this is what I want engraved upon the wall. This alone is well worth our pilgrimage to Chelsea.'
It was a short exclamation which had caught his eye.
'Rest! Rest! Shall I not have all eternity to rest in!' That serene plaster face down yonder gave force to the brave words. Frank copied them down onto the back of one of Maude's cards.
And now they had finished the rooms, but the matron, catching a glow from these enthusiastic pilgrims, had yet other things to show them. There was the back garden.