She absolutely refused, under any circumstances, to come back to face the people she had known in Rome. Now, of course, Rome is necessary to me, and I was already pining to be back at my work--so there was one obvious cause of separation. Then, again, her old father turned up at the hotel in London, and there was a scene, and the whole thing became so unpleasant that really--though I missed her dreadfully at first--I was very glad to slip out of it. Now, I rely upon you not to repeat anything of what I have said."

"My dear Kennedy, I should not dream of repeating it. But all that you say interests me very much, for it gives me an insight into your way of looking at things, which is entirely different from mine, for I have seen so little of life. And now you want to know about my new catacomb. There's no use my trying to describe it, for you would never find it by that. There is only one thing, and that is for me to take you there."

"That would be splendid."

"When would you like to come?"

"The sooner the better. I am all impatience to see it."

"Well, it is a beautiful night--though a trifle cold. Suppose we start in an hour. We must be very careful to keep the matter to ourselves. If anyone saw us hunting in couples they would suspect that there was something going on."

"We can't be too cautious," said Kennedy. "Is it far?"

"Some miles."

"Not too far to walk?"

"Oh, no, we could walk there easily."

"We had better do so, then. A cabman's suspicions would be aroused if he dropped us both at some lonely spot in the dead of the night."

"Quite so. I think it would be best for us to meet at the Gate of the Appian Way at midnight. I must go back to my lodgings for the matches and candles and things."

"All right, Burger! I think it is very kind of you to let me into this secret, and I promise you that I will write nothing about it until you have published your report. Good-bye for the present! You will find me at the Gate at twelve."

The cold, clear air was filled with the musical chimes from that city of clocks as Burger, wrapped in an Italian overcoat, with a lantern hanging from his hand, walked up to the rendezvous. Kennedy stepped out of the shadow to meet him.

"You are ardent in work as well as in love!" said the German, laughing.

"Yes; I have been waiting here for nearly half an hour."

"I hope you left no clue as to where we were going."

"Not such a fool! By Jove, I am chilled to the bone! Come on, Burger, let us warm ourselves by a spurt of hard walking."

Their footsteps sounded loud and crisp upon the rough stone paving of the disappointing road which is all that is left of the most famous highway of the world. A peasant or two going home from the wine-shop, and a few carts of country produce coming up to Rome, were the only things which they met. They swung along, with the huge tombs looming up through the darkness upon each side of them, until they had come as far as the Catacombs of St. Calistus, and saw against a rising moon the great circular bastion of Cecilia Metella in front of them. Then Burger stopped with his hand to his side.

"Your legs are longer than mine, and you are more accustomed to walking," said he, laughing. "I think that the place where we turn off is somewhere here. Yes, this is it, round the corner of the trattoria. Now, it is a very narrow path, so perhaps I had better go in front and you can follow."

He had lit his lantern, and by its light they were enabled to follow a narrow and devious track which wound across the marshes of the Campagna. The great Aqueduct of old Rome lay like a monstrous caterpillar across the moonlit landscape, and their road led them under one of its huge arches, and past the circle of crumbling bricks which marks the old arena. At last Burger stopped at a solitary wooden cow-house, and he drew a key from his pocket. "Surely your catacomb is not inside a house!" cried Kennedy

"The entrance to it is. That is just the safeguard which we have against anyone else discovering it."

"Does the proprietor know of it?"

"Not he.

Tales of Terror and Mystery Page 21

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