It is the custom of men to say to ladies that they would willingly endure any pain for their sake, but it was my privilege to show that I had said no more than I meant. I thought also how nobly I would seem to have acted if ever the story came to be told, and how proud the regiment of Conflans might well be of their colonel. These thoughts helped me to suffer in silence while the blood still trickled over my neck and dripped upon the stone floor. It was that sound which nearly led to my destruction.
"She's bleeding fast," said one of the valets. "You had best fetch a surgeon or you will find her dead in the morning."
"She lies very still and she has never opened her mouth," said another. "The shock has killed her."
"Nonsense; a young woman does not die so easily." It was Matteo who spoke. "Besides, I did but snip off enough to leave the tribunal's mark upon her. Rouse up, signora, rouse up!"
He shook me by the shoulder, and my heart stood still for fear he should feel the epaulet under the mantle.
"How is it with you now?" he asked.
I made no answer.
"Curse it, I wish I had to do with a man instead of a woman, and the fairest woman in Venice," said the gondolier. "Here, Nicholas, lend me your handkerchief and bring a light."
It was all over. The worst had happened. Nothing could save me. I still crouched in the corner, but I was tense in every muscle, like a wild cat about to spring.
If I had to die I was determined that my end should be worthy of my life.
One of them had gone for a lamp and Matteo was stooping over me with a handkerchief. In another instant my secret would be discovered. But he suddenly drew himself straight and stood motionless. At the same instant there came a confused murmuring sound through the little window far above my head. It was the rattle of oars and the buzz of many voices. Then there was a crash upon the door upstairs, and a terrible voice roared: "Open! Open in the name of the Emperor!"
The Emperor! It was like the mention of some saint which, by its very sound, can frighten the demons.
Away they ran with cries of terror--Matteo, the valets, the steward, all of the murderous gang. Another shout and then the crash of a hatchet and the splintering of planks. There were the rattle of arms and the cries of French soldiers in the hall. Next instant feet came flying down the stair and a man burst frantically into my cell.
"Lucia!" he cried, "Lucia!" He stood in the dim light, panting and unable to find his words. Then he broke out again. "Have I not shown you how I love you, Lucia? What more could I do to prove it? I have betrayed my country, I have broken my vow, I have ruined my friends, and I have given my life in order to save you."
It was young Lorenzo Loredan, the lover whom I had superseded. My heart was heavy for him at the time, but after all it is every man for himself in love, and if one fails in the game it is some consolation to lose to one who can be a graceful and considerate winner.
I was about to point this out to him, but at the first word I uttered he gave a shout of astonishment, and, rushing out, he seized the lamp which hung in the corridor and flashed it in my face.
"It is you, you villain!" he cried. "You French coxcomb. You shall pay me for the wrong which you have done me."
But the next instant he saw the pallor of my face and the blood which was still pouring from my head.
"What is this?" he asked. "How come you to have lost your ear?"
I shook off my weakness, and pressing my handkerchief to my wound I rose from my couch, the debonair colonel of Hussars.
"My injury, sir, is nothing. With your permission we will not allude to a matter so trifling and so personal."
But Lucia had burst through from her cell and was pouring out the whole story while she clasped Lorenzo's arm.
"This noble gentleman--he has taken my place, Lorenzo! He has borne it for me. He has suffered that I might be saved."
I could sympathise with the struggle which I could see in the Italian's face.