Merton, Miss Northcott's aunt, and to the young lady herself. She looked as beautiful as ever, and I could not wonder at my friend's infatuation. Her face was a little more flushed than usual, and she held in her hand a heavy dog-whip, with which she had been chastising a small Scotch terrier, whose cries we had heard in the street. The poor brute was cringing up against the wall, whining piteously, and evidently completely cowed.
"So Kate," said my friend, after we had taken our seats, "you have been falling out with Carlo again."
"Only a very little quarrel this time," she said, smiling charmingly. "He is a dear, good old fellow, but he needs correction now and then." Then, turning to me, "We all do that, Mr. Armitage, don't we? What a capital thing if, instead of receiving a collective punishment at the end of our lives, we were to have one at once, as the dogs do, when we did anything wicked. It would make us more careful, wouldn't it?"
I acknowledged that it would.
"Supposing that every time a man misbehaved himself a gigantic hand were to seize him, and he were lashed with a whip until he fainted"--she clenched her white fingers as she spoke, and cut out viciously with the dog-whip--"it would do more to keep him good than any number of high-minded theories of morality."
"Why, Kate," said my friend, "you are quite savage to-day."
"No, Jack," she laughed. "I'm only propounding a theory for Mr. Armitage's consideration."
The two began to chat together about some Aberdeenshire reminiscence, and I had time to observe Mrs. Merton, who had remained silent during our short conversation. She was a very strange-looking old lady. What attracted attention most in her appearance was the utter want of colour which she exhibited. Her hair was snow-white, and her face extremely pale. Her lips were bloodless, and even her eyes were of such a light tinge of blue that they hardly relieved the general pallor. Her dress was a grey silk, which harmonised with her general appearance. She had a peculiar expression of countenance, which I was unable at the moment to refer to its proper cause.
She was working at some old-fashioned piece of ornamental needlework, and as she moved her arms her dress gave forth a dry, melancholy rustling, like the sound of leaves in the autumn. There was something mournful and depressing in the sight of her. I moved my chair a little nearer, and asked her how she liked Edinburgh, and whether she had been there long.
When I spoke to her she started and looked up at me with a scared look on her face. Then I saw in a moment what the expression was which I had observed there. It was one of fear--intense and overpowering fear. It was so marked that I could have staked my life on the woman before me having at some period of her life been subjected to some terrible experience or dreadful misfortune.
"Oh, yes, I like it," she said, in a soft, timid voice; "and we have been here long--that is, not very long. We move about a great deal." She spoke with hesitation, as if afraid of committing herself.
"You are a native of Scotland, I presume?" I said.
"No--that is, not entirely. We are not natives of any place. We are cosmopolitan, you know." She glanced round in the direction of Miss Northcott as she spoke, but the two were still chatting together near the window. Then she suddenly bent forward to me, with a look of intense earnestness upon her face, and said--
"Don't talk to me any more, please. She does not like it, and I shall suffer for it afterwards. Please, don't do it."
I was about to ask her the reason for this strange request, but when she saw I was going to address her, she rose and walked slowly out of the room. As she did so I perceived that the lovers had ceased to talk and that Miss Northcott was looking at me with her keen, grey eyes.
"You must excuse my aunt, Mr. Armitage," she said; "she is odd, and easily fatigued. Come over and look at my album."
We spent some time examining the portraits.