As it is asserted, however, that even in this world our subliminal self is far superior to our normal workaday individuality, it would seem only fair that the spirit world should confront us with something less than its full powers.

Another theory postulates the ANIMA MUNDI, a huge reservoir or central bank of intelligence, with a clearing-house in which all inquiries are honoured. The sharp detail which we receive from the Other Side is incompatible with any vague grandiose idea of the sort. Finally, there is the one really formidable alternative, that man has an etheric body with many unknown gifts, among which a power of external manifestation in curious forms may be included. It is to this theory of Cryptesthesia that Richet and others have clung, and up to a point there is an argument in its favour. The author has satisfied himself that there is a preliminary and elementary stage in all psychic work which depends upon the innate and possibly unconscious power of the medium. The reading of concealed script, the production of raps upon demand, the description of scenes at a distance, the remarkable effects of psychometry, the first vibrations of the Direct Voice-each and all of these on different occasions have seemed to emanate from the medium's own power. Then in most cases there would appear an outside intelligence which was able to appropriate that force and use it for its own ends. An illustration might be given in the experiments of Bisson and Schrenck Notzing with Eva, where the ectoplasmic forms were at first undoubtedly reflections of newspaper illustrations, somewhat muddled by their passage through the medium's mind. Yet there came a later and deeper stage where an ectoplasmic form was evolved which was capable of movement and even of speech. Richet's great brain and close power of observation have been largely centred upon the physical phenomena, and he does not seem to have been brought much in contact with those personal mental and spiritual experiences which would probably have modified his views. It is fair to add, however, that those views have continually moved in the direction of the Spiritualistic explanation.

There only remains the hypothesis of complex personality, which may well influence certain cases, though it seems to the author that such cases might be explained equally well by obsession. These instances, however, can only touch the fringe of the subject, and ignore the whole phenomenal aspect, so that the matter need not be taken very seriously. It cannot be too often repeated, however, that the inquirer should exhaust every possible normal explanation to his own complete satisfaction before he adopts the Spiritualistic view. If he has done this his platform is stable-if he has not done it he can never be conscious of its solidity. The author can say truly, that year after year he clung on to every line of defence until he was finally compelled, if he were to preserve any claim to mental honesty, to abandon the materialistic position.

CHAPTER IX

THE CAREER OF D. D. HOME

Daniel Dunglas Home was born in 1833 at Currie, a village near Edinburgh. There was a mystery about his parentage, and it has been both asserted and denied that he was related in some fashion to the family of the Earl of Home. Certainly he was a man who inherited elegance of figure, delicacy of feature, sensitiveness of disposition and luxury in taste, from whatever source he sprang. But for his psychic powers, and for the earnestness which they introduced into his complex character, he might have been taken as the very type of the aristocratic younger son who inherits the tendencies, but not the wealth, of his forbears.

Home went from Scotland to New England, at the age of nine years, with his aunt who had adopted him, a mystery still surrounding his existence. When he was thirteen he began to show signs of the psychic faculties he had inherited, for his mother, who was descended from an old Highland family, had the characteristic second-sight of her race.

The History of Spiritualism Vol I Page 73

Arthur Conan Doyle

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