The other nearest sitter was Mrs. Wiseman, of Orme Square, Bayswater. This form was covered with white drapery, but no features were visible. As it was close to the fire, it could be seen distinctly by those near it. It was observed by all who were so placed that the edge of the table or intervening sitters did not cut oft the view of the form; thus it was observed by four or five persons altogether, and was not the result of subjective impressions. After rising to the level of the edge of the table, it sank downwards, and was no more seen, having apparently exhausted all the power. Mr. Eglinton was in a strange house and in evening dress. Altogether it was a test manifestation which could not have been produced by artificial means.

One sitting described by Mr. Dawson Rogers showed remarkable features. It was held on February 17, 1885, in the presence of fourteen sitters, under test conditions. Though an inner room was used as a cabinet, Mr. Eglinton did not stay there, but paced about among the sitters, who were arranged in horseshoe formation. A form materialized and passed round the room shaking hands with each one. Then the form approached Mr. Eglinton, who was partially supported from falling by Mr. Rogers, and, taking the medium by the shoulders, dragged him into the cabinet. Mr. Rogers says: "The form was that of a man taller by several inches and older than the medium. He was apparelled in a white flowing robe, and was full of life and animation, and at one time was fully ten feet away from the medium."

Particular interest attaches to that phase of his mediumship known as Psychography, or slate-writing. With regard to this there is an overwhelming mass of testimony. In view of the wonderful results he obtained it is worthy of note that he sat for over three years without receiving a scratch of writing. It was from the year 1884 that he concentrated his powers on this form of manifestation, which was considered to be most suited to beginners, especially as all the seances were held in the light. Eglinton, in refusing to give a seance for materialization to a party of inquirers who had had no experience of this phase, wrote giving the following reason for his action: "I hold that a medium is placed in a very responsible position, and that he has a right to satisfy, as far as he possibly can, those who come to him. Now, my experience, which is a varied one, leads me to the conclusion that no sceptic, however well-intentioned or honest, can be convinced by the conditions prevailing at a materialization seance, and the result is further scepticism on his part, and condemnation of the medium. It is different when there is a harmonious circle of Spiritualists who are advanced enough to witness such phenomena, and with whom I shall always be delighted to sit; but a neophyte must be prepared by other methods. If your friend cares to come to a slate-writing seance I shall be happy to arrange an hour, otherwise I must decline to sit, for the reasons stated above, and which must commend themselves to you as to all thinking Spiritualists."

In the case of Eglinton, it may be explained that common school slates were used (the sitter being at liberty to bring his own slates), and after being washed, a crumb of slate pencil was placed on the upper surface and the slate placed under the leaf of the table, pressed against it and held by the hand of the medium, whose thumb was visible on the upper surface of the table. Presently the sound of writing was heard, and on the signal of three taps being given, the slate was examined and found to contain a written message. In the same way two slates of the same size were used, bound tightly together with cord, and also what are known as box slates, to which a lock and key are attached. On many occasions writing was obtained on a single slate resting on the upper surface of the table, with the pencil between it and the table.

Mr. Gladstone had a sitting with Eglinton on October 29, 1884, and expressed himself as very interested in what took place.

The History of Spiritualism Vol II Page 17

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