The second portrait, though indistinct, was also recognized by Dr. Wallace as a picture of his mother. The first "extra" of a man was unrecognized.
Mr. J. Traill Taylor, who was then editor of the BRITISH JOURNAL OF PHOTOGRAPHY, testified * that he secured supernormal results with this medium, using his own plates, "and that at no time during the preparation, exposure, or development of the pictures was Mr. Hudson within ten feet of the camera or dark room." Surely this must be accepted as final.
* BRITISH JOURNAL OF PHOTOGRAPHY, August, 1873. HUMAN NATURE, 1875, p. 152.
Mr. F. M. Parkes, living at Grove Road, Bow, in the East End of London, was a natural psychic who had veridical visions from his childhood. He knew nothing of Spiritualism until it was brought to his notice in 1871, and early in the following year he experimented in photography with his friend Mr. Reeves, the proprietor of a dining-room near King's Cross. He was then in his thirty-ninth year. At first only irregular markings and patches of light appeared on the plates, but after three months a recognized spirit extra was obtained, the sitters being Dr. Sexton and Dr. Clarke, of Edinburgh. Dr. Sexton invited Mr. Bowman, of Glasgow, an experienced photographer, to make a thorough examination of the camera, the dark room and all the appliances in use. This he did, and declared imposition on the part of Parkes to be impossible. For some years this medium took no remuneration for his services. Mr. Stainton Moses, who has devoted a chapter to Mr. Parkes, writes:
On turning over Mr. Parkes's album, the most striking point is the enormous variety of the designs; the next, perhaps, the utterly unlike character of most of them, and their total dissimilarity to the conventional ghost. Out of 110 that lie before me now, commencing from April 1872, and with some intermissions extending down to present date, there are not two that are alike-scarcely two that bear any similarity to each other. Each design is peculiar to itself, and bears upon the face of it marks of individuality.
He states that a considerable number of the photographs were recognized by the sitters.
M. Ed. Buguet, the French spirit photographer, visited London in June, 1874, and at his studio at 33 Baker Street had many well-known sitters. Mr. Harrison, editor of The Spiritualist, speaks of a test employed by this photographer, namely, cutting off a corner of the glass plate and fitting it to the negative after development. Mr. Stainton Moses describes Buguet as a tall, thin man, with earnest face and clearly-cut features, with an abundance of bushy black hair. During the exposure of a plate he was said to be in partial trance. The psychic results he obtained were of far higher artistic quality and distinctness than those obtained by other mediums. Also a big percentage of the spirit forms were recognized. A curious feature with Buguet was that he obtained a number of portraits of the "double" of sitters, as well as of those living, but not present, with him in the studio. Thus Stainton Moses, while lying in a state of trance in London, had his picture appear on a plate in Paris when Mr. Gledstanes was the sitter.*
* HUMAN NATURE, Vol. IX, p. 97.
In April, 1875, Buguet was arrested and charged by the French Government with producing fraudulent spirit photographs. To save himself he confessed that all his results had been obtained by trickery. He was sentenced to a fine of five hundred francs and imprisonment for one year. At the trial a number of well-known public men maintained their belief in the genuineness of the "extras" they had obtained, in spite of the production of dummy "ghosts" said to have been used by Buguet. The truth of spirit photography does not rest with this medium, but those who are interested enough to read the full account of his arrest and trial* should be able to form their own conclusions. Writing after the trial, Mr. Stainton Moses says: "I not only believe-I KNOW, as surely as I know anything, that some of Budget's pictures were genuine."
* THE SPIRITUALIST, Vols.