Here it was that the three friends presented themselves late in the evening. A footman showed them into a reception-room where they were presently welcomed by Dr. Maupuis in person. The famous authority on psychic science was a short, broad man with a large head, a clean-shaven face, and an expression in which worldly wisdom and kindly altruism were blended. His conversation was in French with Mailey and Roxton, who both spoke the language well, but he had to fall back upon broken English with Malone, who could only utter still more broken French in reply. He expressed his pleasure at their visit, as only a graceful Frenchman can, said a few words as to the wonderful qualities of Panbek, the Galician medium, and finally led the way downstairs to the room in which the experiments were to be conducted. His air of vivid intelligence and penetrating sagacity had already shown the strangers how preposterous were those theories which tried to explain away his wonderful results by the supposition that he was a man who was the easy victim of impostors.

Descending a winding stair they found themselves in a large chamber which looked at first glance like a chemical laboratory, for shelves full of bottles, retorts, test-tubes, scales and other apparatus lined the walls. It was more elegantly furnished, however, than a mere workshop, and a large massive oak table occupied the centre of the room with a fringe of comfortable chairs. At one end of the room was a large portrait of Professor Crookes, which was flanked by a second of Lombroso, while between them was a remarkable picture of one of Eusapia Palladino's seances. Round the table there was gathered a group of men who were talking in low tones, too much absorbed in their own conversation to take much notice of the newcomers.

"Three of these are distinguished visitors like yourselves," said Dr. Maupuis. "Two others are my laboratory assistants, Dr. Sauvage and Dr. Buisson. The others are Parisians of note. The Press is represented to-day by Mr. Forte, sub-editor of the Matin. The tall, dark man who looks like a retired general you probably know.... Not? That is Professor Charles Richet, our honoured doyen, who has shown great courage in this matter, though he has not quite reached the same conclusions as you, Monsieur Mailey. But that also may come. You must remember that we have to show policy, and that the less we mix this with religion, the less trouble we shall have with the Church, which is still very powerful in this country. The distinguished-looking man with the high forehead is the Count de Grammont. The gentleman with the head of a Jupiter and the white beard is Flammarion, the astronomer. Now, gentlemen," he added, in a louder voice, "if you will take your places we shall get to work."

They sat at random round the long table, the three Britons keeping together. At one end a large photographic camera was reared aloft. Two zinc buckets also occupied a prominent position upon a side table. The door was locked and the key given to Professor Richet. Dr. Maupuis sat at one end of the table with a small middle-aged man, moustached, bald-headed and intelligent, upon his right.

"Some of you have not met Monsieur Panbek," said the doctor. "Permit me to present him to you. Monsieur Panbek, gentlemen, has placed his remarkable powers at our disposal for scientific investigation, and we all owe him a debt of gratitude. He is now in his forty-seventh year, a man of normal health, of a neuro-arthritic disposition. Some hyper-excitability of his nervous system is indicated, and his reflexes arc exaggerated, but his blood-pressure is normal. The pulse is now at seventy-two, but rises to one hundred under trance conditions. There are zones of marked hyper-aesthesia on his limbs. His visual field and pupillary reaction is normal. I do not know that there is anything to add."

"I might say," remarked Professor Richet, "that the hyper-sensibility is moral as well as physical. Panbek is impressionable and full of emotion, with the temperament of the poet and all those little weaknesses, if we may call them so, which the poet pays as a ransom for his gifts.

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