A few months for the gnat, a few years for the girl, but each was happy now in the heavy summer air. A beetle scuttled out upon the gravel path and bored onwards, its six legs all working hard, butting up against stones, upsetting itself on ridges, but still gathering itself up and rushing onwards to some all-important appointment somewhere in the grass plot. A bat fluttered up from behind the beech-tree. A breath of night air sighed softly over the hillside with a little tinge of the chill sea spray in its coolness. Dolly Foster shivered, and had turned to go in when her mother came out from the passage.
"Whatever is that Bill doing there?" she cried.
Dolly looked, and saw for the first time that the nameless farm-labourer was crouching under the beech, his browns and yellows blending with the bark behind him.
"You go out o' that, Bill!" screamed the farmer's wife.
"What be I to do?" he asked humbly, slouching forward.
"Go, cut chaff in the barn." He nodded and strolled away, a comical figure in his mud-crusted boots, his strap-tied corduroys and his almond-coloured skin.
"Well, then, you've taken Elias," said the mother, passing her hand round her daughter's waist. "I seed him a-kissing your flower. Well, I'm sorry for Adam, for he is a well-grown young man, a proper young man, blue ribbon, with money in the Post Office. Still some one must suffer, else how could we be purified. If the milk's left alone it won't ever turn into butter. It wants troubling and stirring and churning. That's what we want, too, before we can turn angels. It's just the same as butter."
Dolly laughed. "I have not taken Elias yet," said she.
"No? What about Adam then?"
"Nor him either."
"Oh, Dolly girl, can you not take advice from them that is older. I tell you again that you'll lose them both."
"No, no, mother. Don't you fret yourself. It's all right. But you can see how hard it is. I like Elias, for he can speak so well, and is so sure and masterful. And I like Adam because--well, because I know very well that Adam loves me."
"Well, bless my heart, you can't marry them both. You'd like all the pears in the basket."
"No, mother, but I know how to choose. You see this bit of a flower, dear."
"It's a common dog-rose."
"Well, where d'you think I found it?"
"In the hedge likely."
"No, but on my window-ledge."
"Oh, but when?"
"This morning. It was six when I got up, and there it lay fresh and sweet, and new-plucked. 'Twas the same yesterday and the day before. Every morning there it lies. It's a common flower, as you say, mother, but it is not so common to find a man who'll break short his sleep day after day just to show a girl that the thought of her is in his heart."
"And which was it?"
"Ah, if I knew! I think it's Elias. He's a poet, you know, and poets do nice things like that."
"And how will you be sure?"
"I'll know before morning. He will come again, whichever it is. And whichever it is he's the man for me. Did father ever do that for you before you married?"
"I can't say he did, dear. But father was always a powerful heavy sleeper."
"Well then, mother, you needn't fret any more about me, for as sure as I stand here, I'll tell you to-morrow which of them it is to be."
That evening the farmer's daughter set herself to clearing off all those odd jobs which accumulate in a large household. She polished the dark, old-fashioned furniture in the sitting-room. She cleared out the cellar, re-arranged the bins, counted up the cider, made a great cauldron full of raspberry jam, potted, papered, and labelled it. Long after the whole household was in bed she pushed on with her self-imposed tasks until the night was far gone and she very spent and weary. Then she stirred up the smouldering kitchen fire and made herself a cup of tea, and, carrying it up to her own room, she sat sipping it and glancing over an old bound volume of the _Leisure Hour_. Her seat was behind the little dimity window curtains, whence she could see without being seen.