"See the tower of the old gray church, and the long stretch of the nunnery. But here sits a very holy man, and I shall give him a crown for his prayers."
Three large stones formed a rough cot by the roadside, and beside it, basking in the sun, sat the hermit, with clay-colored face, dull eyes, and long withered hands. With crossed ankles and sunken head, he sat as though all his life had passed out of him, with the beads slipping slowly through his thin, yellow fingers. Behind him lay the narrow cell, clay-floored and damp, comfortless, profitless and sordid. Beyond it there lay amid the trees the wattle-and-daub hut of a laborer, the door open, and the single room exposed to the view. The man ruddy and yellow-haired, stood leaning upon the spade wherewith he had been at work upon the garden patch. From behind him came the ripple of a happy woman's laughter, and two young urchins darted forth from the hut, bare-legged and towsy, while the mother, stepping out, laid her hand upon her husband's arm and watched the gambols of the children. The hermit frowned at the untoward noise which broke upon his prayers, but his brow relaxed as he looked upon the broad silver piece which John held out to him.
"There lies the image of our past and of our future," cried Alleyne, as they rode on upon their way. "Now, which is better, to till God's earth, to have happy faces round one's knee, and to love and be loved, or to sit forever moaning over one's own soul, like a mother over a sick babe?"
"I know not about that," said John, "for it casts a great cloud over me when I think of such matters. But I know that my crown was well spent, for the man had the look of a very holy person. As to the other, there was nought holy about him that I could see, and it would be cheaper for me to pray for myself than to give a crown to one who spent his days in digging for lettuces."
Ere Alleyne could answer there swung round the curve of the road a lady's carriage drawn by three horses abreast with a postilion upon the outer one. Very fine and rich it was, with beams painted and gilt, wheels and spokes carved in strange figures, and over all an arched cover of red and white tapestry. Beneath its shade there sat a stout and elderly lady in a pink cote-hardie, leaning back among a pile of cushions, and plucking out her eyebrows with a small pair of silver tweezers. None could seem more safe and secure and at her ease than this lady, yet here also was a symbol of human life, for in an instant, even as Alleyne reined aside to let the carriage pass, a wheel flew out from among its fellows, and over it all toppled--carving, tapestry and gilt--in one wild heap, with the horses plunging, the postilion shouting, and the lady screaming from within. In an instant Alleyne and John were on foot, and had lifted her forth all in a shake with fear, but little the worse for her mischance.
"Now woe worth me!" she cried, "and ill fall on Michael Easover of Romsey! for I told him that the pin was loose, and yet he must needs gainsay me, like the foolish daffe that he is."
"I trust that you have taken no hurt, my fair lady," said Alleyne, conducting her to the bank, upon which John had already placed a cushion.
"Nay, I have had no scath, though I have lost my silver tweezers. Now, lack-a-day! did God ever put breath into such a fool as Michael Easover of Romsey? But I am much beholden to you, gentle sirs. Soldiers ye are, as one may readily see. I am myself a soldier's daughter," she added, casting a somewhat languishing glance at John, "and my heart ever goes out to a brave man."
"We are indeed fresh from Spain," quoth Alleyne.
"From Spain, say you? Ah! it was an ill and sorry thing that so many should throw away the lives that Heaven gave them. In sooth, it is bad for those who fall, but worse for those who bide behind. I have but now bid farewell to one who hath lost all in this cruel war."
"And how that, lady?"
"She is a young damsel of these parts, and she goes now into a nunnery.