Never once has Fielding drawn a gentleman, save perhaps Squire Alworthy. A lusty, brawling, good-hearted, material creature was the best that he could fashion. Where, in his heroes, is there one touch of distinction, of spirituality, of nobility? Here I think that the plebeian printer has done very much better than the aristocrat. Sir Charles Grandison is a very noble type--spoiled a little by over-coddling on the part of his creator, perhaps, but a very high-souled and exquisite gentleman all the same. Had _he_ married Sophia or Amelia I should not have forbidden the banns. Even the persevering Mr. B--- and the too amorous Lovelace were, in spite of their aberrations, men of gentle nature, and had possibilities of greatness and tenderness within them. Yes, I cannot doubt that Richardson drew the higher type of man--and that in Grandison he has done what has seldom or never been bettered.
Richardson was also the subtler and deeper writer, in my opinion. He concerns himself with fine consistent character-drawing, and with a very searching analysis of the human heart, which is done so easily, and in such simple English, that the depth and truth of it only come upon reflection. He condescends to none of those scuffles and buffetings and pantomime rallies which enliven, but cheapen, many of Fielding's pages. The latter has, it may be granted, a broader view of life. He had personal acquaintance of circles far above, and also far below, any which the douce citizen, who was his rival, had ever been able or willing to explore. His pictures of low London life, the prison scenes in "Amelia," the thieves' kitchens in "Jonathan Wild," the sponging houses and the slums, are as vivid and as complete as those of his friend Hogarth--the most British of artists, even as Fielding was the most British of writers. But the greatest and most permanent facts of life are to be found in the smallest circles. Two men and a woman may furnish either the tragedian or the comedian with the most satisfying theme. And so, although his range was limited, Richardson knew very clearly and very thoroughly just that knowledge which was essential for his purpose. Pamela, the perfect woman of humble life, Clarissa, the perfect lady, Grandison the ideal gentleman--these were the three figures on which he lavished his most loving art. And now, after one hundred and fifty years, I do not know where we may find more satisfying types.
He was prolix, it may be admitted, but who could bear to have him cut? He loved to sit down and tell you just all about it. His use of letters for his narratives made this gossipy style more easy. First _he_ writes and he tells all that passed. You have his letter. _She_ at the same time writes to her friend, and also states her views. This also you see. The friends in each case reply, and you have the advantage of their comments and advice. You really do know all about it before you finish. It may be a little wearisome at first, if you have been accustomed to a more hustling style with fireworks in every chapter. But gradually it creates an atmosphere in which you live, and you come to know these people, with their characters and their troubles, as you know no others of the dream-folk of fiction. Three times as long as an ordinary book, no doubt, but why grudge the time? What is the hurry? Surely it is better to read one masterpiece than three books which will leave no permanent impression on the mind.
It was all attuned to the sedate life of that, the last of the quiet centuries. In the lonely country-house, with few letters and fewer papers, do you suppose that the readers ever complained of the length of a book, or could have too much of the happy Pamela or of the unhappy Clarissa? It is only under extraordinary circumstances that one can now get into that receptive frame of mind which was normal then. Such an occasion is recorded by Macaulay, when he tells how in some Indian hill station, where books were rare, he let loose a copy of "Clarissa." The effect was what might have been expected. Richardson in a suitable environment went through the community like a mild fever.