323). On March 8, 1758, he writes:--'It will be published before summer.... I have printed many of the plays' (p. 327). In June of the same year Langton took some of the plays to Oxford (p. 336). Churchill's Ghost (Parts 1 and 2) was published in the spring of 1762 (p. 319). On July 20, 1762, Johnson wrote to Baretti, 'I intend that you shall soon receive Shakspeare' (p. 369). In October 1765 it was published.
[1454] According to Mr. Seward (Anec. ii. 464), 'Adam Smith styled it the most manly piece of criticism that was ever published in any country.'
[1455] George III, at all events, did not share in this blind admiration. 'Was there ever,' cried he, 'such stuff as great part of Shakespeare? only one must not say so. But what think you? What? Is there not sad stuff? What? What?' 'Yes, indeed, I think so, Sir, though mixed with such excellencies that--' 'O!' cried he, laughing good-humouredly, 'I know it is not to be said! but it's true. Only it's Shakespeare, and nobody dare abuse him.' Mme. D'Arblay's Diary, ii, 398.
[1456] That Johnson did not slur his work, as has been often said, we have the best of all evidence--his own word. 'I have, indeed,' he writes (Works, v. 152), 'disappointed no opinion more than my own; yet I have endeavoured to perform my task with no slight solicitude. Not a single passage in the whole work has appeared to me corrupt which I have not attempted to restore; or obscure which I have not attempted to illustrate.'
[1457] Steevens wrote to Garrick:--'To say the truth, the errors of Warburton and Johnson are often more meritorious than such corrections of them as the obscure industry of Mr. Farmer and myself can furnish. Disdaining crutches, they have sometimes had a fall; but it is my duty to remember, that I, for my part, could not have kept on my legs at all without them.' Garrick Corres. ii, 130. 'Johnson's preface and notes are distinguished by clearness of thought and diction, and by masterly common sense.' Cambridge Shakespeare, i. xxxvi.
[1458] Kenrick later on was the gross libeller of Goldsmith, and the far grosser libeller of Garrick. 'When proceedings were commenced against him in the Court of King's Bench [for the libel on Garrick], he made at once the most abject submission and retractation.' Prior's Goldsmith, i. 294. In the Garrick Carres, (ii. 341) is a letter addressed to Kenrick, in which Garrick says:--'I could have honoured you by giving the satisfaction of a gentleman, if you could (as Shakespeare says) have screwed your courage to the sticking place, to have taken it.' It is endorsed:--'This was not sent to the scoundrel Dr. Kenrick.... It was judged best not to answer any more of Dr. Kenrick's notes, he had behaved so unworthily.'
[1459] Ephraim Chambers, in the epitaph that he made for himself (ante, p. 219), had described himself as multis pervulgatus paucis notus.' Gent. Mag. x. 262.
[1460] See Boswell's Hebrides, Oct. 1, 1773.
[1461] Johnson had joined Voltaire with Dennis and Rymer. 'Dennis and Rymer think Shakespeare's Romans not sufficiently Roman; and Voltaire censures his kings as not completely royal. Dennis is offended that Menenius, a senator of Rome, should play the buffoon; and Voltaire, perhaps, thinks decency violated when the Danish usurper is represented as a drunkard. But Shakespeare always makes nature predominate over accident.... His story requires Romans or kings, but he thinks only on men. He knew that Rome, like every other city, had men of all dispositions; and wanting a buffoon, he went into the senate-house for that which the senate-house would certainly have afforded him. He was inclined to show an usurper and a murderer, not only odious, but despicable; he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.' Johnson's Works, v. 109. Johnson had previously attacked Voltaire, in his Memoirs of Frederick the Great. (Ante, i. 435, note 2.) In these Memoirs he writes:--'Voltaire has asserted that a large sum was raised for her [the Queen of Hungary's] succour by voluntary subscriptions of the English ladies. It is the great failing of a strong imagination to catch greedily at wonders. He was misinformed, and was perhaps unwilling to learn, by a second enquiry, a truth less splendid and amusing.' Ib. vi. 455. See post, Oct. 27, 1779.
[1462] 'Voltaire replied in the Dictionnaire Philosophique. (Works, xxxiii. 566.) 'J'ai jete les yeux sur une edition de Shakespeare, donnee par le sieur Samuel Johnson. J'y ai vu qu'on y traite de petits esprits les etrangers qui sont etonnes que dans les pieces de ce grand Shakespeare un senateur romain fasse le bouffon; et gu'un roi paraisse sur le theatre en ivrogne. Je ne veux point soupconner le sieur Johnson d'etre un mauvais plaisant, et d'aimer trop le vin; mais je trouve un peu extraordinaire qu'il compte la bouffonnerie et l'ivrognerie parmi les beautes du theatre tragique; la raison qu'il en donne n'est pas moins singuliere.