AEtat 35.]
In February, 1744, it accordingly came forth from the shop of Roberts, between whom and Johnson I have not traced any connection, except the casual one of this publication[478]. In Johnson's Life of Savage, although it must be allowed that its moral is the reverse of--'Respicere exemplar vita morumque jubebo[479],' a very useful lesson is inculcated, to guard men of warm passions from a too free indulgence of them; and the various incidents are related in so clear and animated a manner, and illuminated throughout with so much philosophy, that it is one of the most interesting narratives in the English language. Sir Joshua Reynolds told me, that upon his return from Italy[480] he met with it in Devonshire, knowing nothing of its authour, and began to read it while he was standing with his arm leaning against a chimney-piece. It seized his attention so strongly, that, not being able to lay down the book till he had finished it, when he attempted to move, he found his arm totally benumbed. The rapidity with which this work was composed, is a wonderful circumstance. Johnson has been heard to say, 'I wrote forty-eight of the printed octavo pages of the Life of Savage at a sitting; but then I sat up all night[481].'
[Page 166: Resemblance of Johnson to Savage. A.D. 1744.]
He exhibits the genius of Savage to the best advantage in the specimens of his poetry which he has selected, some of which are of uncommon merit. We, indeed, occasionally find such vigour and such point, as might make us suppose that the generous aid of Johnson had been imparted to his friend. Mr. Thomas Warton made this remark to me; and, in support of it, quoted from the poem entitled The Bastard, a line, in which the fancied superiority of one 'stamped in Nature's mint with extasy[482],' is contrasted with a regular lawful descendant of some great and ancient family:
'No tenth transmitter of a foolish face[483].'
But the fact is, that this poem was published some years before Johnson and Savage were acquainted[484].
[Page 167: Johnson's prejudice against players. AEtat 35.]
It is remarkable, that in this biographical disquisition there appears a very strong symptom of Johnson's prejudice against players[485]; a prejudice which may be attributed to the following causes: first, the imperfection of his organs, which were so defective that he was not susceptible of the fine impressions which theatrical excellence produces upon the generality of mankind; secondly, the cold rejection of his tragedy; and, lastly, the brilliant success of Garrick, who had been his pupil, who had come to London at the same time with him, not in a much more prosperous state than himself, and whose talents he undoubtedly rated low, compared with his own. His being outstripped by his pupil in the race of immediate fame, as well as of fortune, probably made him feel some indignation, as thinking that whatever might be Garrick's merits in his art, the reward was too great when compared with what the most successful efforts of literary labour could attain. At all periods of his life Johnson used to talk contemptuously of players[486]; but in this work he speaks of them with peculiar acrimony; for which, perhaps, there was formerly too much reason from the licentious and dissolute manners of those engaged in that profession[487]. It is but justice to add, that in our own time such a change has taken place, that there is no longer room for such an unfavourable distinction[488].
[Page 168: Garrick's mistakes in emphasis. A.D. 1744.]
His schoolfellow and friend, Dr. Taylor, told me a pleasant anecdote of Johnson's triumphing over his pupil David Garrick. When that great actor had played some little time at Goodman's fields, Johnson and Taylor went to see him perform, and afterwards passed the evening at a tavern with him and old Giffard[489]. Johnson, who was ever depreciating stage-players, after censuring some mistakes in emphasis which Garrick had committed in the course of that night's acting, said, 'the players, Sir, have got a kind of rant, with which they run on, without any regard either to accent or emphasis[490].' Both Garrick and Giffard were offended at this sarcasm, and endeavoured to refute it; upon which Johnson rejoined, 'Well now, I'll give you something to speak, with which you are little acquainted, and then we shall see how just my observation is. That shall be the criterion. Let me hear you repeat the ninth Commandment, "Thou shalt not bear false witness against thy neighbour."' Both tried at it, said Dr. Taylor, and both mistook the emphasis, which should be upon not and false witness[491]. Johnson put them right, and enjoyed his victory with great glee.
[Page 169: A review in THE CHAMPION. AEtat 35.]
His Life of Savage was no sooner published, than the following liberal praise was given to it, in The Champion, a periodical paper: 'This pamphlet is, without flattery to its authour, as just and well written a piece as of its kind I ever saw; so that at the same time that it highly deserves, it certainly stands very little in need of this recommendation.