In his Life of Gay, he has been still more decisive as to the inefficiency of The Beggar's Opera in corrupting society[1099]. But I have ever thought somewhat differently; for, indeed, not only are the gaiety and heroism of a highwayman very captivating to a youthful imagination, but the arguments for adventurous depredation are so plausible, the allusions so lively, and the contrasts with the ordinary and more painful modes of acquiring property are so artfully displayed, that it requires a cool and strong judgement to resist so imposing an aggregate: yet, I own, I should be very sorry to have The Beggar's Opera suppressed; for there is in it so much of real London life, so much brilliant wit, and such a variety of airs, which, from early association of ideas, engage, soothe, and enliven the mind, that no performance which the theatre exhibits, delights me more.
The late 'worthy' Duke of Queensberry[1100], as Thomson, in his Seasons, justly characterises him, told me, that when Gay first shewed him The Beggar's Opera, his Grace's observation was, 'This is a very odd thing, Gay; I am satisfied that it is either a very good thing, or a very bad thing.' It proved the former, beyond the warmest expectations of the authour or his friends, Mr. Cambridge, however, shewed us to-day, that there was good reason enough to doubt concerning its success. He was told by Quin, that during the first night of its appearance it was long in a very dubious state; that there was a disposition to damn it, and that it was saved by the song[1101],
'Oh ponder well! be not severe!'
the audience being much affected by the innocent looks of Polly, when she came to those two lines, which exhibit at once a painful and ridiculous image,
'For on the rope that hangs my Dear, Depends poor Polly's life.'
Quin himself had so bad an opinion of it, that he refused the part of Captain Macheath, and gave it to Walker[1102], who acquired great celebrity by his grave yet animated performance of it[1103].
We talked of a young gentleman's marriage with an eminent singer[1104], and his determination that she should no longer sing in publick, though his father was very earnest she should, because her talents would be liberally rewarded, so as to make her a good fortune. It was questioned whether the young gentleman, who had not a shilling in the world[1105], but was blest with very uncommon talents, was not foolishly delicate, or foolishly proud, and his father truely rational without being mean. Johnson, with all the high spirit of a Roman senator, exclaimed, 'He resolved wisely and nobly to be sure. He is a brave man. Would not a gentleman be disgraced by having his wife singing publickly for hire? No, Sir, there can be no doubt here. I know not if I should not prepare myself for a publick singer, as readily as let my wife be one.'
Johnson arraigned the modern politicks of this country, as entirely devoid of all principle of whatever kind. 'Politicks (said he) are now nothing more than means of rising in the world. With this sole view do men engage in politicks, and their whole conduct proceeds upon it. How different in that respect is the state of the nation now from what it was in the time of Charles the First, during the Usurpation, and after the Restoration, in the time of Charles the Second. Hudibras affords a strong proof how much hold political principles had then upon the minds of men. There is in Hudibras a great deal of bullion which will always last. But to be sure the brightest strokes of his wit owed their force to the impression of the characters, which was upon men's minds at the time; to their knowing them, at table and in the street; in short, being familiar with them; and above all, to his satire being directed against those whom a little while before they had hated and feared[1106]. The nation in general has ever been loyal, has been at all times attached to the monarch, though a few daring rebels have been wonderfully powerful for a time. The murder of Charles the First was undoubtedly not committed with the approbation or consent of the people. Had that been the case, Parliament would not have ventured to consign the regicides to their deserved punishment. And we know what exuberance of joy there was when Charles the Second was restored. If Charles the Second had bent all his mind to it, had made it his sole object, he might have been as absolute as Louis the Fourteenth.' A gentleman observed he would have done no harm if he had. JOHNSON. 'Why, Sir, absolute princes seldom do any harm. But they who are governed by them are governed by chance. There is no security for good government.' CAMBRIDGE. 'There have been many sad victims to absolute government.' JOHNSON. 'So, Sir, have there been to popular factions.' BOSWELL. 'The question is, which is worst, one wild beast or many?'
Johnson praised The Spectator, particularly the character of Sir Roger de Coverley. He said, 'Sir Roger did not die a violent death, as has been generally fancied. He was not killed; he died only because others were to die, and because his death afforded an opportunity to Addison for some very fine writing.