JOHNSON. 'Sir, you cannot answer all objections. You have demonstration for a First Cause: you see he must be good as well as powerful, because there is nothing to make him otherwise, and goodness of itself is preferable. Yet you have against this, what is very certain, the unhappiness of human life. This, however, gives us reason to hope for a future state of compensation, that there may be a perfect system. But of that we were not sure, till we had a positive revelation.' I told him, that his Rasselas had often made me unhappy; for it represented the misery of human life so well, and so convincingly to a thinking mind, that if at any time the impression wore off, and I felt myself easy, I began to suspect some delusion.
On Monday, April 20[936], I found him at home in the morning. We talked of a gentleman[937] who we apprehended was gradually involving his circumstances by bad management. JOHNSON. 'Wasting a fortune is evaporation by a thousand imperceptible means. If it were a stream, they'd stop it. You must speak to him. It is really miserable. Were he a gamester, it could be said he had hopes of winning. Were he a bankrupt in trade, he might have grown rich; but he has neither spirit to spend nor resolution to spare. He does not spend fast enough to have pleasure from it. He has the crime of prodigality, and the wretchedness of parsimony. If a man is killed in a duel, he is killed as many a one has been killed; but it is a sad thing for a man to lie down and die; to bleed to death, because he has not fortitude enough to sear the wound, or even to stitch it up.' I cannot but pause a moment to admire the fecundity of fancy, and choice of language, which in this instance, and, indeed, on almost all occasions, he displayed. It was well observed by Dr. Percy, now Bishop of Dromore, 'The conversation of Johnson is strong and clear, and may be compared to an antique statue, where every vein and muscle is distinct and bold. Ordinary conversation resembles an inferiour cast.'
On Saturday, April 25, I dined with him at Sir Joshua Reynolds's, with the learned Dr. Musgrave[938], Counsellor Leland of Ireland, son to the historian, Mrs. Cholmondeley, and some more ladies. The Project[939], a new poem, was read to the company by Dr. Musgrave. JOHNSON. 'Sir, it has no power. Were it not for the well-known names with which it is filled, it would be nothing: the names carry the poet, not the poet the names.' MUSGRAVE. 'A temporary poem always entertains us.' JOHNSON. 'So does an account of the criminals hanged yesterday entertain us.'
He proceeded:--'Demosthenes Taylor, as he was called, (that is, the Editor of Demosthenes) was the most silent man, the merest statue of a man that I have ever seen. I once dined in company with him, and all he said during the whole time was no more than Richard. How a man should say only Richard, it is not easy to imagine. But it was thus: Dr. Douglas was talking of Dr. Zachary Grey, and ascribing to him something that was written by Dr. Richard Grey. So, to correct him, Taylor said, (imitating his affected sententious emphasis and nod,) "Richard."'
Mrs. Cholmondeley, in a high flow of spirits, exhibited some lively sallies of hyperbolical compliment to Johnson, with whom she had been long acquainted, and was very easy[940]. He was quick in catching the manner of the moment, and answered her somewhat in the style of the hero of a romance, 'Madam, you crown me with unfading laurels.'
I happened, I know not how, to say that a pamphlet meant a prose piece. JOHNSON. 'No, Sir. A few sheets of poetry unbound are a pamphlet[941], as much as a few sheets of prose.' MUSGRAVE. 'A pamphlet may be understood to mean a poetical piece in Westminster-Hall, that is, in formal language; but in common language it is understood to mean prose.' JOHNSON. (and here was one of the many instances of his knowing clearly and telling exactly how a thing is) 'A pamphlet is understood in common language to mean prose, only from this, that there is so much more prose written than poetry; as when we say a book, prose is understood for the same reason, though a book may as well be in poetry as in prose. We understand what is most general, and we name what is less frequent.'
We talked of a lady's verses on Ireland. MISS REYNOLDS. 'Have you seen them, Sir?' JOHNSON. 'No, Madam. I have seen a translation from Horace, by one of her daughters. She shewed it me.' MISS REYNOLDS. 'And how was it, Sir?' JOHNSON. 'Why, very well for a young Miss's verses;--that is to say, compared with excellence, nothing; but, very well, for the person who wrote them. I am vexed at being shewn verses in that manner.' MISS REYNOLDS. 'But if they should be good, why not give them hearty praise?' JOHNSON. 'Why, Madam, because I have not then got the better of my bad humour from having been shewn them. You must consider, Madam; beforehand they may be bad, as well as good. Nobody has a right to put another under such a difficulty, that he must either hurt the person by telling the truth, or hurt himself by telling what is not true.'[942] BOSWELL.