The Chain of Destiny by Bram Stoker
The Chain of Destiny Chapter I A Warning
The Chain of Destiny Chapter II More Links
The Chain of Destiny Chapter III The Third To-morrow
The Chain of Destiny Chapter IV Afterwards

The Chain of Destiny Chapter II More Links

Late in the morning I was awakened by Parks, Mr. Trevor’s man, who always used to attend on me when I visited my friends. He brought me hot water and the local news; and, chatting with him, I forgot for a time my alarm of the night.

Parks was staid and elderly, and a type of a class now rapidly disappearing-the class of old family servants who are as proud of their hereditary loyalty to their masters, as those masters are of name and rank. Like all old servants he had a great loving for all sorts of traditions. He believed them, and feared them, and had the most profound reverence for anything which had a story.

I asked him if he knew anything of the legendary history of Scarp. He answered with an air of doubt and hesitation, as of one carefully delivering an opinion which was still incomplete.

“Well, you see, Master Frank, that Scarp is so old that it must have any number of legends; but it is so long since it was inhabited that no one in the village remembers them. The place seems to have become in a kind of way forgotten, and died out of people’s thoughts, and so I am very much afraid, sir, that all the genuine history is lost.”

“What do you mean by the genuine history?” I inquired.

“Well, sir, I mean the true tradition, and not the inventions of the village folk. I heard the sexton tell some stories, but I am quite sure that they were not true, for I could see, Master Frank, that he did not believe them himself, but was only trying to frighten us.”

“And could you not hear of any story that appeared to you to be true?”

“No, sir, and I tried very hard. You see, Master Frank, that there is a sort of club held every week in the tavern down in the village, composed of very respectable men, sir-very respectable men, indeed-and they asked me to be their chairman. I spoke to the master about it, and he gave me leave to accept their proposal. I accepted it as they made a point of it; and from my position I have of course a fine opportunity of making inquiries. It was at the club, sir, that I was, last night, so that I was not here to attend on you, which I hope that you will excuse.”

Parks’s air of mingled pride and condescension, as he made the announcement of the club, was very fine, and the effect was heightened by the confiding frankness with which he spoke. I asked him if he could find no clue to any of the legends which must have existed about such an old place. He answered with a very slight reluctance-

“Well, sir, there was one woman in the village who was awfully old and doting, and she evidently knew something about Scarp, for when she heard the name she mumbled out something about ‘awful stories,’ and ‘times of horror,’ and such like things, but I couldn’t make her understand what it was I wanted to know, or keep her up to the point.”

“And have you tried often, Parks? Why do you not try again?”

“She is dead, sir!”

I had felt inclined to laugh at Parks when he was telling me of the old woman. The way in which he gloated over the words “awful stories,” and “times of horror,” was beyond the power of description; it should have been heard and seen to have been properly appreciated. His voice became deep and mysterious, and he almost smacked his lips at the thought of so much pabulum for nightmares. But when he calmly told me that the woman was dead, a sense of blankness, mingled with awe, came upon me. Here, the last link between myself and the mysterious past was broken, never to be mended. All the rich stores of legend and tradition that had arisen from strange conjunctures of circumstances, and from the belief and imagination of long lines of villagers, loyal to their suzerain lord, were lost forever. I felt quite sad and disappointed; and no attempt was made either by Parks or myself to continue the conversation. Mr. Trevor came presently into my room, and having greeted each other warmly we went together to breakfast.

At breakfast Mrs. Trevor asked me what I thought of the girl’s portrait in my bedroom. We had often had discussions as to characters in faces for we were both physiognomists, and she asked the question as if she were really curious to hear my opinion. I told her that I had only seen it for a short time, and so would rather not attempt to give a final opinion without a more careful study; but from what I had seen of it I had been favourably impressed.

“Well, Frank, after breakfast go and look at it again carefully, and then tell me exactly what you think about it.”

After breakfast I did as directed and returned to the breakfast room, where Mrs. Trevor was still sitting.

“Well, Frank, what is your opinion-mind, correctly. I want it for a particular reason.”

I told her what I thought of the girl’s character; which, if there be any truth in physiognomy, must have been a very fine one.

“Then you like the face?”

I answered-

“It is a great pity that we have none such now-a-days. They seem to have died out with Sir Joshua and Greuze. If I could meet such a girl as I believe the prototype of that portrait to have been I would never be happy till I had made her my wife.”

To my intense astonishment my hostess jumped up and clapped her hands. I asked her why she did it, and she laughed as she replied in a mocking tone imitating my own voice-

“But suppose for a moment that your kind intentions should be frustrated. ‘One man may lead a horse to the pond’s brink.’ ‘The best laid schemes o’ mice an’ men.’ Eh?”

“Well,” said I, “there may be some point in the observation. I suppose there must be since you have made it. But for my part I don’t see it.”

“Oh, I forgot to tell you, Frank, that that portrait might have been painted for Diana Fothering.”

I felt a blush stealing over my face. She observed it and took my hand between hers as we sat down on the sofa, and said to me tenderly-

“Frank, my dear boy, I intend to jest with you no more on the subject. I have a conviction that you will like Diana, which has been strengthened by your admiration for her portrait, and from what I know of human nature I am sure that she will like you. Charley and I both wish to see you married, and we would not think of a wife for you who was not in every way eligible. I have never in my life met a girl like Di; and if you and she fancy each other it will be Charley’s pleasure and my own to enable you to marry-as far as means are concerned. Now, don’t speak. You must know perfectly well how much we both love you. We have always regarded you as our son, and we intend to treat you as our only child when it pleases God to separate us. There now, think the matter over, after you have seen Diana. But, mind me, unless you love each other well and truly, we would far rather not see you married. At all events, whatever may happen you have our best wishes and prayers for your happiness. God bless you, Frank, my dear, dear boy.”

There were tears in her eyes as she spoke. When she had finished she leaned over, drew down my head and kissed my forehead very, very tenderly, and then got up softly and left the room. I felt inclined to cry myself. Her words to me were tender, and sensible, and womanly, but I cannot attempt to describe the infinite tenderness and gentleness of her voice and manner. I prayed for every blessing on her in my secret heart, and the swelling of my throat did not prevent my prayers finding voice. There may have been women in the world like Mrs. Trevor, but if there had been I had never met any of them, except herself.

As may be imagined, I was most anxious to see Miss Fothering, and or the remainder of the day she was constantly in my thoughts. That evening a letter came from the younger Miss Fothering apologising for her not being able to keep her promise with reference to her visit, on account of the unexpected arrival of her aunt, with whom she was obliged to go to Paris for some months. That night I slept in my new room, and had neither dream nor vision. I awoke in the morning half ashamed of having ever paid any attention to such a silly circumstance as a strange dream in my first night in an old house.

After breakfast next morning, as I was going along the corridor, I saw the door of my old bedroom open, and went in to have another look at the portrait. Whilst I was looking at it I began to wonder how it could be that it was so like Miss Fothering as Mrs. Trevor said it was. The more I thought of this the more it puzzled me, till suddenly the dream came back-the face in the picture, and the figure in the bed, the phantoms out in the night, and the ominous words-“The fairest and the best.” As I thought of these things all the possibilities of the lost legends of the old house thronged so quickly into my mind that I began to feel a buzzing in my ears and my head began to swim, so that I was obliged to sit down.

“Could it be possible,” I asked myself, “that some old curse hangs over the race that once dwelt within these walls, and can she be of that race? Such things have been before now!”

The idea was a terrible one for me, for it made to me a reality that which I had come to look upon as merely the dream of a distempered imagination. If the thought had come to me in the darkness and stillness of the night it would have been awful. How happy I was that it had come by daylight, when the sun was shining brightly, and the air was cheerful with the trilling of the song birds, and the lively, strident cawing from the old rookery.

I stayed in the room for some little time longer, thinking over the scene, and, as is natural, when I had got over the remnants of my fear, my reason began to question the genuineness-vraisemblance of the dream. I began to look for the internal evidence of the untruth to facts; but, after thinking earnestly for some time the only fact that seemed to me of any importance was the confirmatory one of the younger Miss Fothering’s apology. In the dream the frightened girl had been alone, and the mere fact of two girls coming on a visit had seemed a sort of disproof of its truth. But, just as if things were conspiring to force on the truth of the dream, one of the sisters was not to come, and the other was she who resembled the portrait whose prototype I had seen sleeping in a vision. I could hardly imagine that I had only dreamt.

I determined to ask Mrs. Trevor if she could explain in any way Miss Fothering’s resemblance to the portrait, and so went at once to seek her.

I found her in the large drawingroom alone, and, after a few casual remarks, I broached the subject on which I had come to seek for information. She had not said anything further to me about marrying since our conversation on the previous day, but when I mentioned Miss Fothering’s name I could see a glad look on her face which gave me great pleasure. She made none of those vulgar commonplace remarks which many women find it necessary to make when talking to a man about a girl for whom he is supposed to have an affection, but by her manner she put me entirely at my ease, as I sat fidgeting on the sofa, pulling purposelessly the woolly tufts of an antimacassar, painfully conscious that my cheeks were red, and my voice slightly forced and unnatural.

She merely said, “Of course, Frank, I am ready if you want to talk about Miss Fothering, or any other subject.” She then put a marker in her book and laid it aside, and, folding her arms, looked at me with a grave, kind, expectant smile.

I asked her if she knew anything about the family history of Miss Fothering. She answered-

“Not further than I have already told you. Her father’s is a fine old family, although reduced in circumstances.”

“Has it ever been connected with any family in this county? With the former owners of Scarp, for instance?”

“Not that I know of. Why do you ask?”

“I want to find out how she comes to be so like that portrait.”

“I never thought of that. It may be that there was some remote connection between her family and the Kirks who formerly owned Scarp. I will ask her when she comes. Or stay. Let us go and look if there is any old book or tree in the library that will throw a light upon the subject. We have rather a good library now, Frank, for we have all our own books, and all those which belonged to the Scarp library also. They are in great disorder, for we have been waiting till you came to arrange them, for we knew that you delighted in such work.”

“There is nothing I should enjoy more than arranging all these splendid books. What a magnificent library. It is almost a pity to keep it in a private house.”

We proceeded to look for some of those old books of family history which are occasionally to be found in old county houses. The library of Scarp, I saw, was very valuable, and as we prosecuted our search I came across many splendid and rare volumes which I determined to examine at my leisure, for I had come to Scarp for a long visit.

We searched first in the old folio shelves, and, after some few disappointments, found at length a large volume, magnificently printed and bound, which contained views and plans of the house, illuminations of the armorial bearings of the family of Kirk, and all the families with whom it was connected, and having the history of all these families carefully set forth. It was called on the title-page “The Book of Kirk,” and was full of anecdotes and legends, and contained a large stock of family tradition. As this was exactly the book which we required, we searched no further, but, having carefully dusted the volume, bore it to Mrs. Trevor’s boudoir where we could look over it quite undisturbed.

On looking in the index, we found the name of Fothering mentioned, and on turning to the page specified, found the arms of Kirk quartered on those of Fothering. From the text we learned that one of the daughters of Kirk had, in the year 1573, married the brother of Fothering against the united wills of her father and brother, and that after a bitter feud of some ten or twelve years, the latter, then master of Scarp, had met the brother of Fothering in a duel and had killed him. Upon receiving the news Fothering had sworn a great oath to revenge his brother, invoking the most fearful curses upon himself and his race if he should fail to cut off the hand that had slain his brother, and to nail it over the gate of Fothering. The feud then became so bitter that Kirk seems to have gone quite mad on the subject. When he heard of Fothering’s oath he knew that he had but little chance of escape, since his enemy was his master at every weapon; so he determined upon a mode of revenge which, although costing him his own life, he fondly hoped would accomplish the eternal destruction of his brother-in-law through his violated oath. He sent Fothering a letter cursing him and his race, and praying for the consummation of his own curse invoked in case of failure. He concluded his missive by a prayer for the complete destruction, soul, mind, and body, of the first Fothering who should enter the gate of Scarp, who he hoped would be the fairest and best of the race. Having despatched this letter he cut off his right hand and threw it into the centre of a roaring fire, which he had made for the purpose. When it was entirely consumed he threw himself upon his sword, and so died.

A cold shiver went through me when I read the words “fairest and best.” All my dream came back in a moment, and I seemed to hear in my ears again the echo of the fiendish laughter. I looked up at Mrs. Trevor, and saw that she had become very grave.Her face had a half-frightened look, as if some wild thought had struck her. I was more frightened than ever, for nothing increases our alarms so much as the sympathy of others with regard to them; however, I tried to conceal my fear. We sat silent for some minutes, and then Mrs. Trevor rose up saying:

“Come with me, and let us look at the portrait.”

I remember her saying the and not that portrait, as if some concealed thought of it had been occupying her mind. The same dread had assailed her from a coincidence as had grown in me from a vision. Surely-surely I had good grounds for fear!

We went to the bedroom and stood before the picture, which seemed to gaze upon us with an expression which reflected our own fears. My companion said to me in slightly excited tones: “Frank, lift down the picture till we see its back.” I did so, and we found written in strange old writing on the grimy canvas a name and a date, which, after a great deal of trouble, we made out to be “Margaret Kirk, 1572.” It was the name of the lady in the book.

Mrs. Trevor turned round and faced me slowly, with a look of horror on her face.

“Frank, I don’t like this at all. There is something very strange here.”

I had it on my tongue to tell her my dream, but was ashamed to do so. Besides, I feared that it might frighten her too much, as she was already alarmed.

I continued to look at the picture as a relief from my embarrassment, and was struck with the excessive griminess of the back in comparison to the freshness of the front. I mentioned my difficulty to my companion, who thought for a moment, and then suddenly said-

“I see how it is. It has been turned with its face to the wall.”

I said no word but hung up the picture again; and we went back to the boudoir.

On the way I began to think that my fears were too wildly improbable to bear to be spoken about. It was so hard to believe in the horrors of darkness when the sunlight was falling brightly around me. The same idea seemed to have struck Mrs. Trevor, for she said, when we entered the room:

“Frank, it strikes me that we are both rather silly to let our imaginations carry us away so. The story is merely a tradition, and we know how report distorts even the most innocent facts. It is true that the Fothering family was formerly connected with the Kirks, and that the picture is that of the Miss Kirk who married against her father’s will; it is likely that he quarrelled with her for so doing, and had her picture turned to the wall-a common trick of angry fathers at all times-but that is all. There can be nothing beyond that. Let us not think any more upon the subject, as it is one likely to lead us into absurdities. However, the picture is a really beautiful one-independent of its being such a likeness of Diana, and I will have it placed in the dining-room.”

The change was effected that afternoon, but she did not again allude to the subject. She appeared, when talking to me, to be a little constrained in manner-a very unusual thing with her, and seemed to fear that I would renew the forbidden topic. I think that she did not wish to let her imagination lead her astray, and was distrustful of herself. However, the feeling of constraint wore off before night-but she did not renew the subject.

I slept well that night, without dreams of any kind; and next morning-the third to-morrow promised in the dream-when I came down to breakfast, I was told that I would see Miss Fothering before that evening.

I could not help blushing, and stammered out some commonplace remark, and then glancing up, feeling very sheepish, I saw my hostess looking at me with her kindly smile intensified. She said:

“Do you know, Frank, I felt quite frightened yesterday when we were looking at the picture; but I have been thinking the matter over since, and have come to the conclusion that my folly was perfectly unfounded. I am sure you agree with me. In fact, I look now upon our fright as a good joke, and will tell it to Diana when she arrives.”

Once again I was about to tell my dream; but again was restrained by shame. I knew, of course, that Mrs. Trevor would not laugh at me or even think little of me for my fears, for she was too well-bred, and kind-hearted, and sympathetic to do anything of the kind, and, besides, the fear was one which we had shared in common.

But how could I confess my fright at what might appear to others to be a ridiculous dream, when she had conquered the fear that had been common to us both, and which had arisen from a really strange conjuncture of facts. She appeared to look on the matter so lightly that I could not do otherwise. And I did it honestly for the time.

The Chain of Destiny Chapter III The Third To-morrow

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